Well, it’s official…. I am fully addicted to Wood Firing. I love the whole process from meeting new interesting people to staying up all night keeping the fire going and finally unloading the kiln and discovering some amazing results. Aside form building the pieces, firing the kiln is an art in itself. The way the fire moves though the kiln depositing ash on soft curves and the extreme heat then melts the ash to a glass glazing the pot in beautiful patterns formed by the natural movement of fire and ash through the kiln.

The kiln we used here belongs to Tony Moore of Cold Spring, NY. It is an Anagama  – Noborigama Kiln and it is beautiful. I am already excited to get started on pieces for the next   firing in June!ImageImageImageImageImageImageImageImageImageImage

It’s official…


How to do a Pit-Firing

This is the sort of thing you can easily do in your own backyard (subject to local council regulations of course). It’s a simple firing technique used in many ancient cultures across the globe and popular with potters today.

Difficulty Level: easy      Time Required: half a day

Here’s How:

  1. Dig a pit of the appropriate size, depending on the amount of work to be fired.
  2. Place a bed of dry leaves and twigs and possibly coal, which will burn slowly, at the bottom of the pit
  3. Place the pottery on top of this.
  4. Carefully sprinkle oxides and carbonates around the pieces (particularly copper carbonate), which volatilize and result in flashes of color appearing on the fired work.
  5. Cover the work with more leaves, twigs and dung (if available), building up a mound over the pieces.
  6. Once the stacking process is finished, light the pile around the edges and leave to smolder for several hours, or until the next day.
  7. Towards the end of the burning process, bury the pit in earth or sand, which will cut off the oxygen supply and create a strong reducing atmosphere inside the mound.
  8. Allow the kiln to cool overnight and open the next day.
  9. Remove excess scum with a wire brush under a running tap.


  1. Additions of grog or volcanic ash ‘open up’ the clay and make it more resistant to heat shock.
  2. The best color results can be achieved with iron bearing, or red clays.
  3. Bisque firing the work first helps to prevent shattering and cracking.